Astral images
Some
definite part of Gamigaya images consists of
astral images. The researches conducted, prove
that the clans residing in Azerbaijan have been
worshiping the Heavenly beings. On the utensils
belonging to the Early Bronze
period there were
presented the drawings of Sun, Moon and spiral.
The signages symbolizing the Sun occupy a
special place among the images describing the
Sun. The Sun was usually drawn as a circle,
raying line from the circle and a circle with
some dots inside it. The similar images
can be met in Gobustan, Kareliya, and Siberia
and in some other parts of the world. The
bottom of some utensils, which belong to Bronze
and Iron Ages, has been surrounded with convex
lines. One of the widely spread patterns carved
on the colored and grey utensils are the rayed
circles. Decorating the colored utensils on them
with rayed circles is inseparable part of Early
Iron Age. A cannel ornament that was broadly
spread out in this period is also said to be
related to the cult of Sun. The similar images
have for a long time existed in Azerbaijan life
and the elevations of buildings, the interior of
the houses, gates as well as the grave stones
have been decorated with the drawings of Sun.
One of the widely spread drawings of the sun
is a circle with two ledges. One of the images
on Gamigaya is cross, or the circles divided
into four parts by means of swastika.
According to N.Museyibov’s interpretation a
circle divided into four parts by cross is a
symbol that the Sun scatters its rays to all
four sides of the world. The fact of dividing
the circle into four parts by cross is a symbol
indicating four sides of the world, as
researchers also confirm it. As it was mentioned
above, this is related to the imaginations
connected with the structure of the tetrahedral
horizontal spatial world. From this viewpoint an
image of rock, which was discovered on Gedam
Mountains, is especially interesting. There were
drawn four circles and as an appropriate four
human pictures in each part of four sections.
These four human drawings symbolize the God
protecting the world from four sides. There are
sufficiently enough cases when we met expression
of this idea by zoomorphic images. The
acceptance of similar descriptions as the astral
images is closely connected with the regulatory
function of the initial force – creator.
N.Museyibov told that the dividing the circle
into two parts is related to the indications of
day and night. To our mind, dividing the circle
into two parts is expression of modeling binary
world in opposition. From this viewpoint the
drawings on shaman davuls published by M.Seyidov
are worth to attention. Here on the lower side
the divided part of the circle is depicted the
life in another world and on the upper parts the
drawings Heavenly being and the middle world.
The researchers compare the description of
circle divided with crossing lines from inside
compared with cart wheels. The archeological and
mythological researches had put forward the
legend of Sun’s rambling in the cart on the sky
with the appearance of the developed wheeled
carts. It is difficult to say that to what
extent these drawings had some kind of
interrelationships with Gamigaya. To our mind,
it is not possible to give out a circle which is
filled with dots and crossing lines from inside,
as a cartwheel. It should be noted that from the
centre of this circle there pass two parallel
lines. The likely parallel lines were met on
Shaman davuls and on the Siberian gravestones.
Some researchers presented the parallel lines on
the gravestones to be “the line” leading to
another world. According to the belief of
Azerbaijanis’ the lines shown on the palm of the
man are the indications of his life span. One of
the drawings showing the concentric circles we
met in Gamigaya is completed with the head of
snake. V.Aliyev told it to symbolize the Sun.
But it should be noted that the likely drawings
of spirals ended with snakehead are also met in
Kura -Araz ceramics. Spiral-shaped helicoids of
snake drawings on women figures belonging to
South East Asia Eneolith age are related to
women symbols and chthonic forces. If we
attentively pay attention to Gamigaya images we
can easily find out that three concentric
circles are inserted into each other. Inside the
first circle there is a convex. This symbolizes
the Sun, the circle around it describes the
civilized space and the circle completed with
the snakehead image denotes the periphery. To
our mind here is clearly described the three –
part - structure of cosmic model and their
mutual interrelationship.
One of the widely spread symbols of the Sun
is circle which is filled with dots from inside.
The likely images could also be found on
utensils of Bronze Age and on Kolani necropolis.
On one of the drawings on the gravestone the
description of Sun is given as God’s head which
is filled from inside with dots. The fact of
widely spread Sun images in Gamigaya and on
other archeological works indicate that the
beliefs related to Sun were widely spread in
Azerbaijan. Widely spread Sun images are
indication to the existence of belief in Sun and
Rays. Beliefs in Sun and ray are widely
reflected in mythology of Turkish people and
Azerbaijani turks.
There are a lot of
legends related to the Sun and to the Moon.
These examples show that the belief of Son has
the long historical roots. Mirali Seyidov basing
the researches he has carried out, notes that
the God of Son have been imagined in the shape
of Ray zoomorphic parts or human. Mystification
of son and belief in son, without any doubt,
were connected with the belief that the son is
beginning of nature’s productive force. It
indicates that the sunny days occupied the
special place in the life of people. It is
really so that without the Sun lights the
existence and reproducibility of the biological
entities would be impossible. Not depending on
the situation of how the Sun was presented in
mythology, it has always enlightened the other
world. There are also the half moon images among
the Gamigaya traceries. On the utensils
belonging to Bronze age
we extensively
encounter to the images of half moon as well as
to the patterns of crescent shape. The pair
circled images in some numbers also exist among
the Gamigaya traceries. The similar images are
widely met on the rocks of Siberia and on Gedam
Mountains. Pair circles of Venus were
symbolizing a cult of twins, productivity. This
is called as Ulkar star in Azerbaijan and there
exist a lot legends related to Ulkar star.
“Ulkar and prophet Suleyman”, “Liar Ulkar” are
the similar type of legends. The researchers had
shown that in some nations the name of Ulkar is
connected with evil forces. According to the
information provided by G.N. Potanin Venus or
Ulkar were worshiped by Mongolians, huns and
turks. There had been a legend about Venus,
which had been taking the caravans out of their
ways and destroying them. This legend existed in
Azerbaijan folklore as it is. According to
legend, having seen a bright star on the sky a
guard awakened the caravan. Although they went
on too much, a day didn’t break. The storm,
which started after a while, destroyed the
caravan. As it is seen, it was another star
causing the destruction of caravan. For that
reason it was called “A Liar Ulkar”. In
Azerbaijan legends Star Ulkar had symbolized the
beginning of spring and breaking of day. As it
come apparent that the ancient people had been
identifying the daybreak and beginning of spring
by looking at this Star. It is also possible
that, as Ulkar appeared only when the Sun broke
and set off, it was described with pair circles.
As the time past it had changed and started to
symbolize the beginning of spring, harvest and
multiplication of harvest and abundance.
The symbols related to twins sometimes were
described by pair triangles. Expression of pair
triangles together with other heavenly beings
indicated to their astral meaning. Together with
Gamigaya traceries, we can also meet the animal
and human figures on the clay utensils expressed
by twin-triangles. On Gamigaya images a notion
of Heaven was also reflected. Eventually, the
arc-shaped lines had been symbolizing a heaven.
To our mind, a notion of sky was more expressed
by astral pictures. From this viewpoint it is
thought that the complex sceneries expressed by
astral pictures, at the same time are regarded
to be the drawings of sky. Because the Sun, the
Moon, the Venus that are regarded to be the
beginning of benefit and harvest. Because the
Sun, the Moon, the Venus are reckoned the
beginning of harvest and this benefit was
connected with Sky. In beliefs of many countries
and as well as in Azeri Turks the Sky was a
symbol of creative forces of nature, and the
Heaven was regarded to be a settlement of Gods.
According to legend once the Sun and the Moon
used to live on the earth. Once the Sun walks
and raises the sky. The Moon was sent to look
for the Sun. Although the Moon searches it for a
long time it can’t find the Sun. Meantime the
sky roars, thunders and it separates the Sky
from the Earth. The Sun and the Moon can’t
descend the Earth. Let’s note that the ancient
belief of finding refuge on the Heavens is still
preserved among Azeri Turks. Ancient Turks had
been worshiping the Heavens as God. According to
the beliefs of Turks the power is given to the
king by Heavens. Heavenly God determines the
people’s life, raises the nations or turns them
upside down. According to the legend, Amir
Teymur’s famous throne used to be on blue stone.
When he was on travel his room used to stay
closed. When a rainfall was less the people used
to climb the top of the mountain, sacrifice a
sheep and plead the god to present rain to them.
These beliefs were depicted in
“Chomchakhatun“legend, as well. According to the
legend as there was a long term dry,
Chomchakhatun had climbed on a top of hill and
pleaded the God to make rain fall. The God heard
him and there went rain. One girl standing under
a tree got soaked and turned into a green tree.
In this legend there is reflected the cosmic
thoughts of the people, as well.
A definite group of Gamigaya images consists
of trio ledged signage. These were described
together with animal and human images. Some
researchers had thought that the trio ledged
signage to symbolize the Sun. I.M. Jafarzadeh
thought them to be tamga and D.A.Akhundoff
thought them to be home paintings. Not depending
on these thoughts there is no doubt that the
trio ledged signage is connected with some
symbols. These signs pragmatically should be
connected with the humans’ belief and worship in
all three - layer representatives of the forces.
We can also meet the small, circle and oval
dotted signage on Gamigaya. It is thought that
the similar type of images illustrated the
stars. We can meet them mainly around the human
and animal figures. On one of the images there
was described that on the level of head of the
human, moving towards the goat there are two
small oval circles. To our mind, the twin
circles are a symbol of the Venus. We encounter
the likely type symbols around goats and the
camel like animals, as well. As it is known, in
Azerbaijan folklore there are a lot of legends
and myths related to stars. As the likely images
of Gamigaya are not studied sufficiently yet, it
is difficult to identify what stars are they.
But we would like to note that the dotted
signage symbolized the light and brightness.
Among the illustrations of Sun its description
as the inside dotted circles is also connected
with it. The illustration of Sun with oval and
inside dotted signage is also widely described
in ethnographic materials of the Siberian folks.
We meet the separate
arc-shaped lines and the rayed arc lines from
the sun symbols on Gamigaya. We can also
encounter the similar drawings on teleut
shamans’ utilities of everyday usage.
E.A.Okladnikova, basing the ethnographic
materials, concluded that the rayed arc lines
from the sun symbols illustrate rainbow and the
brush like circle ledges symbolize rain.
According to the legend preserved in Azeri
turks’ historical memory a rainbow represented
the seven girls who escaping the Khan’s tyranny
found a refuge on the sky. By the legend the
colors of rainbow are colors of the girls. One
of the signage met on Gamigaya is cross and
swastika illustration. These drawings have been
described exceedingly by different ways. We meet
the same drawings on the colored and grey
utensils belonging to the Bronze
Age. Basing the
analyses, E.A.Okladnikova told that the cross
signage had symbolized the Sun or the birds or
humans connected with the benevolent God. V.
Aliyev called one of the signage of cross on
Gamigaya to be a human figure. Meeting the
likely drawings in hunting scenery shows that,
they were connected with the astral symbols. The
existence of cross signage on Azerbaijan’s
knitting and lace works are connected with
beliefs. In order to prove rightness of the
thoughts mentioned above it is enough to have a
look on the ancient descriptions. It more
brightly reflected in the ancient pictures; the
likely drawings are connected with mythological
way of thinking of the people. On the utensils
belonging to Samarra civilization we meet four
humans standing along the circles, and as well
as the images of goat and birds. The historical
roots of resemblance of the cross descriptions
to the human and birds’ images are connected
with this. The likely drawings are more
schematically described like the Malta cross
forms and had turned out to be the popular
motives of the ancient Oriental civilization. We
can also encounter the likely illustrations on
the monuments of Azerbaijan culture, on the
colored jars of Gizilburun. The above mentioned
issues show that, the cross descriptions having
connections with the ancient peoples’ beliefs
had symbolized the four sides of the world and
the horizontal space’s four sided structure. A
resemblance of cross illustrations found on the
rocks symbolizing the human figures and as well
as animal horns are connected with this. We also
meet the likely structures in the mythology of
some folks and also among the number the ancient
Turks’ mythology. For example, a tree or a
mountain is a centre of the earth and four
birches are the four sides of the world. In
another description there is a falling sunray
and inside of which there are seen five houses
and etc. The idea of people’s finding a refuge
on all four sides of the world or protection of
their spirits by the owners of all four sides of
the world is already mentioned before. A reveal
out of the content
of Gamigaya’s some signage needs a special
investigation. But we would like to express our
thoughts partially related to some of them. For
example, in order to explain what the “T” like
signage meant on Gamigaya, we need to look
through the drawings depicted on the clay
utensils of Anau civilization. On one of the
utensils there is described an angle, between
the angles there are described the “T” like
signage. This pattern had covered all body of
the utensil. The descriptions on an oval thing
found in Altintepe proved that those were not
simple patterns. There were two human and
geometric figures on one side of the oval thing,
on the other side in the centre there is a
symbol of sun, but on all four sides of the
figure are printed by “T” like signage. This
symbol shows the reduction of the cosmic world
model into the horizontal space. Here the “T”
like signage shows the four sides of the world.
The likely signage found on Gamigaya shows
their connection with astral symbols. Of course
sometimes the likely distant relations can seem
unbelievable, but it proves once again that
there is no border for culture.
We can widely encounter the “V” like signage
on the colored utensils found on Gamigaya in
Nakhchivan. The analysis of descriptions’ found
on the colored utensils indicate that they are
connected with manifestation of comprehension of
rays and astral symbols.
The site presented you is dedicated to one of
the actual problems of Azerbaijan archeology, to
the study of inscriptions found on the rocks.
The site informs us about Gamigaya images’
religious and mythological content. The clerical
and mythological looks which have been forming
for thousand years constitute the basics of the
governance of the ancient societies. After
emerging of social inequality and formation
state these looks have been serving for the
reign of governing classes and for the
protection of sociopolitical stability. As the
mythological model of the world was the same in
all nations, together with benefiting from the
world scientists’ experience it has also been
counted expedient to study the Gamigaya
traceries from the position of mythological
world outlook of Azeri Turks. Because the
influence of Eastern civilization for thousand
years has left a deep influence on the folklore
and ethnography of Azeri Turks connected with
this region. This fact shows itself to a high
extend during archeological researches of the
monuments.
The resent investigation works carried out in
study of Gamigaya monuments are worth to be
distinguished. On August 2001 by our
ex-president highly esteemed Heydar Aliyev’s
special assignment and care it was carried out
an investigation and expedition work in Gamigaya
in close cooperation of Azerbaijan National
Academy of Science and the Institute of
Ethnography with a Nakhchivan branch of the
Azerbaijan National Academy of Sciences and with
Nakhchivan State University. Despite all these
works, which were carried out we, cannot count
the research of this monument be finished. We do
hope that this site, which is prepared about
Gamigaya from the viewpoint of its historical
importance, will be very effective to fill the
gaps existing in Azerbaijan electronic space
related to this place.
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