Descriptions of human figures and hunting scenes
A group of Gamigaya traceries consists of
drawings of human. They have been illustrated
either separately or together with astral or
animal compositions. From the iconographic
viewpoint, the human figures vary from each
other. They have mainly been described
schematically. On one of the illustration on the
rock we encounter with complex composition. On
one of these descriptions a human head is
illustrated by circle and his arms are bent from
the elbow. The figure’s body is circled from the
edges and divided into four parts as a square.
Under it there is a quadrangle divided into six
parts and the edges are circled. Animal like
ledges completes its upper edges. On one of the
drawings on the upper side there is described a
he goat, on the lower side there is a man
holding a hand stick; under this scene on the
right side there is illustrated a goat with a
bird between its horns; below the goat there is
a wild animal attacking to another one, on the
left there is a snake which’s tail is separated
into three parts; there is a quadrangle divided
into four parts which is held in snake’s mouth
and on the left from them there is described a
sign looking alike a hook. A description of goat
on a very upper part, without doubt, is
connected with goat cult. Below from them given
description of human figure is an owner of the
earth and mountain. There are beliefs in
Azerbaijan folklore that everything has its
owner. The owner of water, mountain and forest
sometimes become visible for the humans and
helps them. The hand stick that he holds is not
an ordinary one. If he is a protector of earth
then his hand stick should be magic. Let’s also
note that, in relation to the magic hand sticks
there are some folklore samples. As to us, this
is a very hand stick that later symbolized a
reign of tribe leader or a ruler. It can serve
as a proof that, in old descriptions and grave
monuments we also meet with the similar symbols.
To our mind, another magic feature of this hand
stick is connected with its feature of being
life tree. Down, the scene of animals’ struggle
has a universal meaning and it shows that death
is inseparable condition for human life. A
quadrangle shown in front of this scene, which
is divided into four parts, is illustrated in
the meaning of horizontal world. Tightening of
snake’s tail, to our mind, is connected with an
ancient magic. In Azerbaijan folklore knotting
the devils tale, which is the symbol of evils,
is given in the meaning of finding the thing,
which is lost, overcoming the accident. In this
illustration tightening a snake’s tale should be
interpreted as overcoming the death. As it is
evident, this illustration has a deep content
and reflects an entire world outlook of the
ancient people. On one of the drawings there is
described a group of three people. One of them
has raised his hand upwards and the next one has
stretched his hands to sides. A man described in
the front is three fingered. A little bit up
from this one, there is an illustration of
cross. On the upper part of human descriptions
there is an illustration of goat. On one of the
goats horn there is tightened a ribbon. The
researchers noted that a three-fingered figure
symbolizes an image of God, which is connected
with Heaven and water. That is why we can tell
that a three-fingered figure is a spirit of
protector or it symbolizes the God. By our mind,
in this illustration it is described a
sacrificing ceremony. Tightening a ribbon on one
of the goat’s horn is a tradition peculiar to
Azerbaijanis and other Turkish nations. On one
of the drawings in the centre there is described
an oval circle divided into four parts, there
are raying wavy lines coming out from this
circle and there is a fantastic entity between
them; a little bit on the lower side there are
described two snakes. On the right side there is
described an arc shape line connecting the
circle and below it there is depicted a human
figure with horizontal circle which is divided
into four parts; it gives the meaning of
horizontal space. By our mind, the descriptions
on the left side represent the chaotic forces in
the clearly illustrated image of snake. Arc
shaped line on the right side gives the meaning
of Heaven. From here we can also tell that a
human figure represents a spirit of Protector or
symbolizes the image of God. On this
illustration it is shown protection of
horizontal and cultural world from the chaotic
forces. As we mentioned, there are some samples
in Azerbaijan folklore when the sun is freed
from the evil forces. On one of the compositions
related to goats’ description, a he goat is
described on the upper side and below that there
are a goat and kid descriptions; on the left
side there is described a man who has stretched
his arms to the side. On the left side it is
described a wild bird attack to the goat and a
lion’s movement towards the goats’ babies. This
illustration brightly expresses a structure of
the cosmic world model. Description of the God
on the upper side is connected with zoomorphic
ongons describing the God of productivity. On
the lower side there is described a middle world
where in its one side there is a death and on
the other side there is a life. The
representative of the other life - lion and
snake is located in the lower position of this
composition. It was noted by Vali Aliyev that
there are some collective dancing scenes on
Gamigaya. On the head of one dancing one there
is a horned mask.
On one of the group drawings three humans
and from below of them there are given some
symbolic signage. One of the humans has raised
his hands up, and another one has stretched his
arms to the sides. In one of this humans hand
there is an arrow and a shield. According to the
opinion of the researchers the human who has
raised his hands up he prays the God, and the
person stretching his hands to the sides is
connected with success, protection and defense.
It should be emphasized that some human drawings
are described by three ledged descriptions. On
Gamigaya, as well as on the clay utensils
belonging to Bronze Age, the humans’ hand is
described as three fingered. The researchers
connected with the likely signage have been
unanimous. The human figures depicted in this
signage are connected with spatial forces.
Some parts of the human images depicted
together with astral and animal drawings within
one composition show the ceremonies connected
with totem and praying. In several places we
meet the drawings illustrating praying. The
researcher Vali Aliyev has published these
drawings. On one of the drawings there is
described a man raising his hands up and on its
top it is shown a pair of circles as a symbol of
twins. A pair of circles, which was a symbol of
twins sometimes, had been identified with the
woman God and had been reckoned the beginning of
productivity. By the archeological findings, it
has been proved that the attached triangles are
also related with this symbol. On Gamigaya pair
of triangles has expressed some animal images.
We think that on these illustrations there are
described humans’ praying ceremony connected
with twins and productivity. On another drawing
there is described a human with raised hands and
on the top of it we see a goat. On this
illustration it is depicted a human’s worship
and praying in front of the goat totem. In
Gamigaya, it is quite regular of giving the
similar descriptions. It is because, that after
the formation of processing economy the likely
humans’ life had to a much extent been dependent
on the nature and on the gift of Holy Ghost. The
human beings have always been looking for the
ways of how to increase a productivity that is
needed for the existence and development of the
society. For that reason they have been
conducting various ceremonies and etc calling,
pleading the extraordinary mighty forces to help
them in increase, reproduction and protection of
the harvest. The researchers have repeatedly
shown that the figures with hands up are
connected with praying ceremony. In Gamigaya the
lower part of one of the schematic human figures
with hands up is completed with the circles,
which are divided into four parts. There are
four ledges in the middle of its body. There is
described an image of goat next to it. To our
mind this symbolized the God of harvest.
Vali Aliyev has interpreted one of the
drawings as a human holding a hand whip. Without
doubt, here the author connected it with
practical animal breeding. This illustration is
a very popular image of the Oriental art, where
a human is holding a snake in his hand. A
human’s head is long and it looks alike a bird’s
beak. On one of the drawing there is described a
goat holding a grass in its mouth and a man
approaching to it with his hands stretched
aside. Around the head of the human with a sharp
raised cap there is a pair of circles. On the
right there is described a moving to back
hunter. As we mentioned above a pair of circles
symbolizes the Venus. A grass in goat’s mouth is
a holy food given by the God. This drawing can
be counted a sample where hunting is prohibited
for provision of productivity. On another
drawing there is described a three layer
structured cosmic symbol, and below that there
is a legendary hunter. Here, it is clearly
depicted a magic and success which are connected
with hunting.
On one of the inscriptions on the rock there
is illustrated a man with his hands stretched
aside, on the top of his head there is a goat,
and a bit up to it there is a mountain goat and
a kid. On the left side of this scene there are
two circles whish have been connected with
straight line and a circle, which is divided
into parts by crossing lines. In this drawing it
is described an idea of protection of conscious,
related to success. A pair of circles, which are
connected with straight line, is called tamga.
And, without doubt, each tamga symbolizes a
definite sign. Eventually, this drawing tried to
describe the notions of this and another world.
On the other side of the rock, there is a
quadrangle that is divided into several parts,
inside some of them there is shown a small oval
circle. On the top of the quadrangle there is
described a goat moving towards the right. We
have already mentioned above that a quadrangle
divided into several parts symbolize a space.
Eventually, here it was described a scene of
protection productivity which was connected with
the remaining of totems.
Some compositions describing a human reflect
hunting scenes. On one of these illustrations
there is described a human holding an arrow and
hook and a group of goats. A hunter’s one hand
is stretched to goat’s head and his arrow is
directed to its foot. Without any doubt, here is
not described a scene related to hunting, but a
ritual connected with hunting cult. This ritual
should have provided success for hunting. On
another image there is described a human holding
an arrow towards a goat. On hunter’s head there
is a circled cap and on the part of his shoulder
there is somehow a longish ledge. A hunter has
targeted a goat from the back. On one of the
drawing compositions containing a goat and human
there is described a hunting scene; on its top
it is shown a half moon and on the right from
there it is depicted a fantastic creature
charkhi-falak. As if by holding from the arrow
of hunter, it wants to make an obstacle to him.
Bits down there are illustrations of goat and on
the lowest part there are snake images. In this
scene a recall of the model of three-layered
cosmic world is clearly seen. On this
illustration there are shown the scenes of the
necessity of overcoming the needless hunting and
provision of productivity, which are connected
with hunting myths. As it is known, the old
hunters before going to hunting have been
performing some ceremonies accompanied by magic
and praying; the hunters have been praying the
God for the successful hunt and have sought a
help and assistance from the God. The myths
connected with hunting have been widely
reflected in Azerbaijan folklore. In multitude
of folklore samples it is shown that that all
animals have their owners and all hunters are
protected. In Gamigaya we also meet the
collective hunting scenes. On one of the
illustrations on the top there is shown an
astral sign, below that on the right side there
is a man holding an arrow in his hand and also
there the images of goat lying on its back
upside down. One of the wild birds has put its
beaks on the lying goat. The one holding
harpoon in his hand wants to take the wild
animal away. On the left from these
illustrations there is a deer, and in front of
it there is a hand stick. The composition is
completed with snake, which is shown under it.
As it is seen, in this drawing the protecting
spirits drive the wild animals away from the
shoal. The spatial world is shown by astral
signage; snake depicts a chthonic world. The
humans’ struggle with the animals is given in
the meaning where a human wants to bar the ways
to the death. The hand sticks given in front of
the deer are connected with the old magic idea
symbolizing a protection from the evil spirits,
death. On the second composition, there is
illustrated a man holding an arrow and hook in
his hand. He held the rope tightened on one of
the animals and directed his harpoon towards the
belly of the wild animal. A bit up there is an
image of goat. Below that is an image of human,
which eventually protects the animals. On this
illustration as well, there is shown an idea of
defending domestic animals from the wild ones,
and protection of hunting. A definite part of
Gamigaya drawings consists of extraordinary
creatures. A goat like animal’s tail is bent as
a spiral towards its back. It has a spiral
shaped camelback on its back. An animal having a
body similar to a tiger has got a half moon
shaped horn. Goats like animal’s horns have
protruded to shape a curled snake. On the scene
where is described an attack of the wilds to the
goat, one animal is winged. Two-headed snake
images can also be included into this group.
Description of polymorph and fantastic creatures
is peculiar for the old art works. The
researches have proved that the likely animals’
descriptions are connected with the thought of
humans about the structure of the world; it is
linked with contradiction, struggle and mutual
interrelation of this and other worlds. On one
of the illustrations similar to this there are
described the following sceneries: an animal,
the tail of which is separated into two parts,
below that a got which has a hand stick between
its horns, and below that a goat which’s body,
tail and horns are integrated on three layers.
Brush like signage symbolizes a rain. A
hand stick between goat’s horns shows its
protection. On the lower side a two-horned
creature symbolizes productivity. Here again we
meet with some performances connected with
magic. Eventually, this drawing is a metaphoric
expression of the scenes where humans try to
overcome the dry, provide and protect
productivity. On one of the fantastic
compositions, it is illustrated a grazing deer,
behind that there is a half moon, and on the
upper side there is described a fantastic
creature sitting on the deer and, more
eventfully, this is a devil. This description
gives an idea of driving the devil away and
protecting the productivity. Human images are
also included into the descriptions of the
extraordinary creatures. Some of their heads
look like the bird’s beak. To our opinion, it is
a hint to their advocacy mission carried out
between the heavens and earth. It should be
noted that in Azerbaijan folklore we also meet
the extraordinary figures. Akil-bakil’s
depiction in the shape of bird and human, or
getting a water nymph to be resembled to a half
human and half fish shape could serve as
examples for this. As we mentioned before, we
can also meet a half human and half fish shapes
among Nakhchivan monuments.
It was said a very few words about the
content of Gamigaya traceries. The research
analyses of the mythological images in
Azerbaijan folklore are also done
insufficiently. A study of Azerbaijan’s ancient
art treasure would be impossible without
learning and involving a wide range of folklore
and ethnographic materials. Registration and
publication of the entire Gamigaya drawings
could also be helpful in study of “confused”
illustrations. But despite of all these,
Gamigaya is a mythical way of thinking, it is an
outlook of the ancient folks and a perpetuated
memory of our nationm. |